04 June 2011

Fairy Tale Bead Soup: Jenni's Secret Garden

 "In my garden there is a large place for sentiment.  My garden of flowers is also my garden of thoughts and dreams.  The thoughts grow as freely as the flowers, and the dreams are as beautiful."  ~Abram L. Urban

I have the worst luck with flowers.

I buy the most expensive hanging baskets from Lensmire's each summer and as soon as I take them out of the greenhouse they seem to deflate just a little, as if they know what fate awaits them on my front porch.
This year I picked out two beautiful hanging baskets. One with New Guinea impatiens with their large hardy blooms in the cheeriest shade of bubblegum pink with stripes of red and a double impatien that looks like tiny red roses surrounded by these fluffy white bitty blooms. 

I put them in the wrought iron hangers on my back porch so that I could see them when I looked out side the back door. But the wind came and battered them around quite a bit in the past week. And the sun is much hotter back there for a much longer time (I thought this was a shady spot! Well, it is when I come home around 5:30-7:00!). I have moved them to a shadier part of the house, but I feel sad, because they look as though I have abandoned and abused them, when I have been lovingly tending to them, watering them, and even fertilizing them. 

I wish that I had something other than a black thumb.

I admire lush gardens. I love to see a profusion of blooms as if floral fireworks have exploded showering down petals of every hue. I love the idea of a secret garden, with a creaky old gate that has ivy almost completely obscuring the entrance twining all around. You would jiggle the key that fits in the lock and when you pushed the heavy gate open you would spy the most extraordinary sights and smell the most incredible scents. It would be a feast for your senses.

For the Fairy Tale bead soup swap I gladly volunteered to be paired up with a new international friend. I was lucky to swap with Jenni Connolly of Jenni Bead from all the way Down Under. Since I won't likely get to travel there, this is the next best thing! 


Jenni sent me a very pretty palette of purple, chartreuse and lavender. There were lampwork glass beads with confetti colors, bright green faceted glass rondelles, really cool ribbed glass beads (that I saved for another day) and some lilac colored lucite petals. 

From my own stash I found some antique silver floral filigree that I layered with the lucite petals and a perfect glass headpin with the same purple and green palette from the immensely talented Kelley Wenzel of KelleysBeads.

To that I added stacked silver toned bead caps and daisy spacers along with a pewter skeleton key from Lynn Davis. I love what Lynn does. I sent her the original of this key and a few other pieces back last year and challenged Lynn to work her magic and create pewter castings of these items. I still have the original, but I love that I can keep using this piece through Lynn's ingenuity.


The result is a very fresh and springy look that is a departure from the color palettes that I usually gravitate to. I call this "Jenni's Secret Garden" in honor of my new friend Jenni. 
{Jenni's Secret Garden}
Please go and check out what everyone else made!

Lori Anderson, Pretty Things
Rebecca Anderson, Song Beads
Courtney Breul, Beads By Breul 
Loretta Carstensen, Designs by Loretta
Evelyn Hall, Dragon Lady Evelyn
Sandy Richardson, Sandy's Coloring Box
Tara Plote, Newbie Beader
Christine Brandel, A Hot Piece of Glass
Lisa Sittniewski, Alterity Art
Joanna Matuszczyk, Filcowe
Jenni Connolly, Jenni Bead
Geneva Collins, Torque Story
Elisabeth Auld, Beads For Busy Gals
Sally Russick, Wireworked
Mary McGraw, MK's Creative Musings
Norma Turvey, Moonlit Fantaseas
Erin Prais-Hintz, Treasures Found You are here!
Stephanie Haussler, Pixybug Designs
Shai Williams, Shaia's Ramblings
Johanna Rhodes, Fire Phoenix Creations
Sandi Lee James, Do Be Do Bead Do
Valerie Norton, Hot Fused Glass 

Enjoy the day!

01 June 2011

BTW: With Sprinkles and a Cherry on Top!

  "Ice cream is exquisite. What a pity it isn't illegal." ~ Voltaire
 
For my Bead Table Wednesday I finished a necklace for the Earthenwoods Design Team. Miss Melanie created this sweet little treat of a pendant in a yummy dreamsicle color, which is one of my very favorite flavors of frozen confections! For this yummy design, I thought that the way that I like to enjoy ice cream is with loads of sprinkles, and I don't care what kind - mini chocolate chips, confetti sprinkles, toffee bits, cinnamon chips, Andes candies chips - you name it! I love it! There is just something about ice cream with some sort of mix-ins for me. 
 

I call this "With Sprinkles and a Cherry on Top." I used copper patterned chain filled with an assortment of E-beads in various sprinkle-y colors and a red coral bead for the finishing touch, the cherry on top!
 
Get the scoop on what the rest of the team is up to!

I haven't had a giveaway of my own in quite some time, so I think that it is time to celebrate the beginning of summer. To win this sweet bauble, all you need to do is tell me what your favorite flavor of ice cream is in a comment below. One comment per person please! I will select a random winner from all comments on Sunday, June 5th and reveal on Monday. Good luck!

31 May 2011

Verse & Vision: Whiskey Light

"Night time is really the best time to work. 
All the ideas are there to be yours because everyone else is asleep."  
~Catherine O'Hara

This is the fourth and final post about the pieces I created for the Verse & Vision show on now through June 25th, a collaboration between Wisconsin poets and the Gallery Q artists. You can read about the others here, here and also here.

I do my best work at night.

I often call this my "9 to midnight" job. And although I would love for it to be a full time gig, it is really more of a hobby gone wild. While my most fervent wish is to have daylight hours to create, I am certain that even if I had them, I would be doing most of my best work at night.

So when I read the poem by Josh Wussow called "Whiskey Light" I had this immediate image of the moon in my head. The sort of moon that hangs low in the sky like a big orange ball of light. The kind that is so close you can touch it, so real you can taste its creamy coolness.

I love the way the full moon paints the world with a touch of titanium white and a softer blue gray of the shadows. The trees look taller in moonlight with their limbs stretched out reaching over hills and valleys to touch each other like so many people holding hands.

But it was the last line of this poem that grabbed me and wouldn't let go. I knew that there had to be a lunar reference in this piece, but that last line begged to be incorporated as well. Full of double edged meaning, yet brimming with possibilities.

I thank Josh Wussow for penning these lines and for allowing me the honor of sharing them with you.

Whiskey Light
by Josh Wussow

The restless moon
has drawn me
into the calling dusk

My dull
whiskey light
a haze, etched in amber
hovers thick and
full
bodied
over yellowed streetlamps
and empty roads

I taste its essence
cool
in the quiet air
dash of dreams
pinch of sin
the tacit scent
of things
best done
by night

{Whiskey Light}

I am very proud of this piece. But it almost didn't happen.

This being the very first Verse & Vision collaboration, we had only from early February until mid-April to complete our art. That wouldn't be too terrible of a timeline if I didn't have traveling basketball, dance recitals, a trip to D.C. and the launch of my new 'simple truths' pendants happening at the same time. Not to mention all the dancer necklaces I did during those few weeks. 

I completed the first three and got them to the photographer for the book layout well before the deadline of April 20th. I just didn't have time to complete what I wanted to do for this one. 

I had sketched a design that looks nothing like this. With the mention of the 'haze, etched in amber' I had grandiose plans to etch a copper moon, add a bezel and then add some resin tinted amber to that focal. And that never happened. 

I was in the Gallery to pick up my pieces the first week in May to be sure that they were tagged and ready for the Gallery to hang them, when one of the committee members came to me in a panic: the poet would be there to read his poem that night and if I didn't make the art, there would be nothing to show for it. Would I still make the piece? Could I do it in time? That was Wednesday. All the pieces had to be logged in by Friday. 

I had committed to doing this piece but I had failed to make it a priority so that just about shattered me. Wearily, I said yes, I would do this. 

I went home that night and sketched a new design, one that wouldn't be etched and bezeled but that would show that I could completely fabricate a piece from start to finish.

I started with circles cut out of copper. I hammered texture and added some round bubbles to make the disks represent the phases of the moon. From just a sliver of the moon to full, you can see them all if you look closely.

But flat just wouldn't do, I wanted it to have a sculptural sense, and also movement. I had been studying the works of Calder and spirals are very prominent in his work, which was influenced by primitive artifacts. The construction of Calder's works are so kinetic. I wanted to attain a freedom of movement in my design. So I started with spirals of copper wire connecting each link through a riveted hole. Why not just leave the holes punched raw? That small rivet in each hole is a detail that puts a polished touch on the piece.

I crafted the swirl clasp to connect to a similarly embellished copper washer. I wanted no pre-fab parts to this design.

The central focal is a crescent moon with the last line of the poem 'things best done by night' and a solitary rough faceted carnelian drop in the perfect shade of whiskey. That stone is the only thing I didn't craft by hand.

Someone at the opening was interested in the piece and questioned why it was priced so high. It was then that I explained that I cut, filed, textured, stamped, riveted, dapped, coiled, hammered, patinaed, tumbled, polished and sealed every single piece on this necklace. From concept to completion, I did it all. I think she walked away with an appreciation for what I did that went beyond admiring it. And I also said that even if this wasn't the one for her, I could certainly apply those skills to something custom just for her.

I worked on this two straight nights working from 9pm to 2am. At 1am on the second day I almost thought to ask for an extension until Saturday so that I would have the extra day to finish, but then I decided that I was so close and I just kept going. I was beyond exhausted when I finished. But the important thing is that I completed it to hand in to the committee by noon on Friday.

They were stunned at what I created. But truthfully, so was I.


I guess it is true that I do my best work at night.

So, now it is your turn...
When do you do your best work? Are you more capable in the morning? Does your creativity ebb and flow throughout the day? Or are you a night owl like me?
Have you ever completely hand fabricated something? Do you bake from scratch... plant from seeds... or grow amazing kids? How does it feel to be the creator, the originator, the guiding force?
Do tell!
Enjoy the day!

30 May 2011

May Art Bead Scene Challenge

 "To sit in the shade on a fine day and look upon verdure is the most perfect refreshment."  ~Jane Austen

This month's painting was Cache-Cache by Berthe Morisot.

I love this painting with its quaint little village in the distance, the fun that the mother and daughter are having, the ruffly umbrella and the peek of sky in the clouds. But I will admit that the color palette stumped me a bit.

I am drawn to the dark green and the pops of red, so that is what I pulled out first. Green goldstone is one of my favorites, with its flashes of sparkle in the right light. The red blooms on the tree were the red velvet glass rondelles. To repeat the oval pattern I pulled in some great hammered oval chain. I am hoarding the last foot and a half that I have of it, I love it so. I needed to pull the greens into the piece. I found this Mary Harding toggle that was perfect in tone. I added the goldstone into it, and raided my stash of silks from Marsha Neal and came upon these different shades of green. I decided to wrap the links. No other embellishment is needed to highlight the toggle by Mary. And the best part is that you can wear it any which way...with the toggle in front, or off to one side, depending on what you feel like.

I call this necklace "Seeking Solitude."


I really loved the little village in the background of the painting, so I decided to do one more. I happened to find a pair of little house beads that I believe are from Jubilee that was a perfect match. I used the same green goldstone this time paired with cranberry colored pearls and brass bead caps. I have these funky marquise shaped links from GemmeTresor. I decided to use the same seed beads in the beaded part to wire wrap the links just for interest and to tie in the beading wrapped on the hook clasp.

I call this bracelet "Finding My Home."

Be sure to stop over to the Art Bead Scene on May 31st for the monthly Blog Tour that I host rounding up all the fabulous pieces that were inspired by this months' art.

(And I will also be announcing the ONE WINNER of the HUGE BEADS 2011 GIVEAWAY at the end of that post! Someone will be very lucky indeed!)

Enjoy the day!

27 May 2011

Verse & Vision: Angels Among Us

"If one looks closely enough, one can see angels in every piece of art."  
~Terri Guillemets

The third poem that I chose was more like the retelling of a time-worn story. 

(If you want to read more of my inspiration from the Verse & Vision show, please go to this post or this one.)

The styling of the poem was more in a paragraph with fleshed out ideas and sentences, but the poetry is really evident in the selection of the words in a way that forms a picture in your mind. That is the sort of poetry that really resonates with me. I can see and hear and smell and taste and touch every thing that is being written about. These words from Janet Leahy truly make my senses come alive.

In the Church Yard Beside the School House
by Janet Leahy

A boy in red boots is making snow angels with his
small body. Old ladies on their way to mass, fold
their arms around themselves to keep warm. The
boy jumps up, brushes snow from his jacket, smiles
with delight at the perfect forms carved into the snow.
Behind him the church bell tolls, a black hearse arrives,
carrying the most recent dead. Now the boy turns
to watch the procession of mourners. His eyes fix
on the people walking behind the casket, their arms
wrapped around each other. He knows something
of death, his grandfather, his dog Cyrano. He knows
when people die they need angels. As the church doors
close, he falls into the snow and spreads his wings.

patina-ed wings from MissFickleMedia (thank you Shan!)
sterling silver heart
snowflake cracked quartz rounds
black onyx irregularly faceted nuggets
sari silk wrapped beads with Swarovski crystals
hand made clasp from galvanized steel wire

***************************************************

I know something of death.

I remember vividly the day that my grandmother died. 

I was a smug 18 year old away at UW-Eau Claire for my train wreck of a freshman year. Coming home at Thanksgiving, my parents insisted that I go to see Bousha ('old lady' in Polish, but a term of endearment to us). I didn't want to go. While there, my dad asked me to address her Christmas cards. I did it, but grumbled as I went, each envelope met with a heavy sigh and rolling of the eyes. When the last envelope was addressed, I rushed to leave. She held my hand in hers and promised me to come home soon. Her cheek was soft and smelled of powder when I kissed her goodbye. 

That was the last time I ever saw Bousha.

Just two weeks later I made my way down the great hill from my dorm to my afternoon classes. On the way I made a detour to the bookstore and bought a card for Bousha. It was a Boynton with a funny little cat on the front.  I trudged through the wet snow that darkening Friday afternoon to the class I dreaded the most: algebra. I knew that if I made it through this class, the weekend could officially begin and finals would be the following week. Lots of studying to slack off on for sure.

I wasn't particularly engaged in this class. It actually felt like they were speaking a different language. As the minutes ticked by on the large clock above me, and the professor droned on like the teacher on Charlie Brown, I suddenly felt very anxious. Trying not to attract attention, I dug out the card for Bousha and frantically started writing her a letter, glancing back up at the clock with each word. I remember telling her over and over that I loved her. And also that I was sorry that I hadn't spent more time with her at Thanksgiving. Could this class get any longer? Could time tick by any slower? Stuffing the card into the envelope, scribbling her name and address, licking the stamp, I bolted out of my chair as soon as the clock struck 3:00 and raced down the hall to the lobby where the postman was just collecting the last mail for the day. 

I felt light and happy climbing that slushy hill. I didn't even care that the wind was biting into my bones. I felt at peace.

As day drew into evening, I was alone in my communal dorm room hanging white lights on the window, the sounds of Christmas carols coming from my clock radio. My roommates were across the hall giving Diane a perm in the bathroom. The phone rang. I was surprised to hear the voice of my older cousin Mike, who lived in Minneapolis. I only saw him at holidays and I didn't think he even knew I was at this college.

"Do you need a ride home?" Mike asked.

"Sure! That would be great. I have finals next week, but that would be so awesome because then my parents won't have to trek over here," I said. "When are you thinking of coming home?"

There was a brief and awkward pause on the other end of the line. 

"Uh... um... I thought you knew," said Mike in the most apologetic voice. "I'm sorry to have to tell you this, Erin. Grandma died this afternoon. I thought you needed a ride home tomorrow for the funeral."

Clunk.

The phone dropped to the floor and me with it. I may have managed to pick it up and tell him that I had to call him back. 

Grief gripped me and would not let go. I tried to stand but couldn't. Crawling across the hall, I leaned into the bathroom door and collapsed in heavy sobs on the cold, white porcelain tile. 

Diane rushed to me, hair dripping wet with the acrid smell of permanent solution piercing my nose, and grabbed me, holding me up in her embrace. 

The only words I could choke out between heaving sobs were, "Grandma... died... no!"

To this day, I cannot stomach the smell of a perm without that memory bubbling to the surface.

When my parents finally called it was with the realization that I had learned of grandma's passing in the most abrupt manner. As in a twisted game of telephone, the message was relayed all wrong. My parents had called Mike's dad to ask if he might possibly be able to bring me home, and they were waiting for that information before calling me with the news. But Mike didn't know and called me instead. It must have been awful for him to share that shocking news with me. I recall that the two hour car ride home to Stevens Point was mostly in silence. 

For the funeral, I was selected to carry in the half finished afghan that Bousha was crocheting. It was the softest cream colored yarn. She could knock one out in a day or two and everyone had one...every grandchild, friend and maybe even a few passersby. Each one had an embroidered tag that read, "Specially hand made by Grandma." This cream one never got that tag. I laid the unfinished masterpiece with the ball of yarn and the brightly colored crochet hook stuck in it on the top of the coffin. I don't recall anything else.

After the slow motion motorcade to the cemetery, I stood by the graveside that Saturday in the snow, my toes numb from the missing socks I forgot to pack in my haste, wishing to be rolled into my own blue and white herringbone blanket. 

Retreating to the warmth of my grandmother's house to go through the motions of selecting what to keep and what to give away, I heard the mail slot open. I wandered over to retrieve the small stack on the floor. And there it was: my card. 

I sat down on the mauve velour couch, the one that was only sat on during holidays, and opened the card. As I reread those words that I so hurriedly wrote, the emotions flooded me. I let the tears roll softly down my cheeks. Bousha never read these words, my apology at being so rude, my love for her.

But I think she knew.

I wish that I had kept that letter. I think that I likely threw it away because my emotions were so raw, and it was stunning to read it at that time. Plus, I didn't immediately connect that Bousha was guiding me that day.  I found out later that my parents were with her in the hospital when she died. And it was around 3:00 pm on Friday, the same time that I felt so frantic to get that letter posted. 

I do believe in angels. I believe that there are angels among us working to push us in the direction that we need to go, and supporting us when we feel that all is lost. It is not just astral spirits with wings and bright lights, but those that are among us working every day. They are in the checkout line at Copps Food Center when picking up the $20 bill that fell out of my pocket and giving it back to me... there is one that makes my coffee at Emy J's each morning named Mindy with a bright light of sweetness and an extra dose of happy to wake me up... I see them in each person who deposits a bag filled to the brim with food and toiletries at the special collections my church does for Operation Bootstrap... and I can see them on the television when they rush to help a local woman rebuild her horse barn and clean up her farm after the tornado that touched down not far from where I live. I believe that even when we least expect it there is an angel there watching out for us, those special guardians that we loved in life who are looking down on us from heaven, but they are just as certainly right around the corner or down the street keeping an eye on us. 

And sometimes we are called to be angels when we touch another person's life and make it better. 

I most certainly think that Bousha was reaching out to me to let me know that it would all be alright and that was why I had that sudden urge to contact her. And although it was my words in my hand writing that I read on that card that cold December day, I feel that really it was her telling me she loved me. Her first act as my guardian angel.

So now it is your turn...
Do you believe in angels?
Have you ever had an experience where you felt protected and loved but could not explain it?
Are you open to the possibility of angels among us?
How have you been an angel to someone else?
Do tell!

Enjoy the day!

25 May 2011

BTW: The Do Over Challenge

"My Mama always said you've got to put the past behind you before you can move on."
- the movie Forrest Gump

Jeannie Dukic is hosting a blog hop that is really intriguing to me called the 'Do Over' Challenge.

If you have been creating anything for any length of time you likely have a back log of pieces that were done early on that were not as successful as you may make them now. But you can't dwell on those past pieces. You have to move on by building upon them. Those pieces might lack pizzazz, or use materials that were not as unique. They aren't failures because they didn't sell, because they may show that your style has evolved and your taste in materials has grown more expensive. I applaud Jeannie for having the guts to put these pieces out there and ask for a 'do over'. I think it is exciting to see what other people can do. In fact, it reminds me that I have a whole dresser drawer of these potential 'do overs' that perhaps I should giveaway!

The piece that Jeannie sent me had white glass tube beads with a painted design, white plastic lantern shaped beads, golden pearls and small faceted cherry colored beads with a hint of AB all with a gold metal for components.
{do over before}

I tried and tried to use those white glass tubes but I just could not make it work. So I abandoned those to another day. But I ended up using the remainder of the beads in the piece, the pearls, cherry faceted beads and even the white plastic because I liked the shape.

{how do they make these bottle cap beads? I don't know but I love 'em!}

I dug through my stash and found my bottle cap beads from Glass Garden beads. I love this one with the bold graphic design and the words "Ale Asylum" on it. I have come to find out that Ale Asylum is a brewpub in Madison, WI where I went to college. So a place where you can claim freedom and protection from the crime of poor beer, might be a good place to be if you are in college!


I went from a traditional symmetrical design, to an edgier darker design. I added a great gunmetal heavy link chain with this kick ass industrial trigger clasp toggle. The bracelet is 9" long but that big clasp allows you to hook it wherever you like! To that I added gunmetal faceted glass beads, the bottle cap bead and some little gunmetal rounds. I like the little pop of color that those cherry beads add to this. I can see that this would be fun to wear out on the town!

I call this do over
"Refuge From What 'Ales' You."
 
(Get it? Teehee ;-).

{'Refuge from what ales you' available for purchase on Etsy}

Thanks, Jeannie, for letting me play along with you on this challenge. It certainly stretched me creatively and that is what I like! Now go on over to Jeannie's blog and check out what the other participants did and share some comment love!

So, now it is your turn...
Do you have something that you created... a wreath, a sewing project, a jewelry design, etc that could use a little 'do over'? 
Do you think that since your style has changed over time you might be able to look at it more objectively and breathe new life into it? 
Do you think it would be easier or harder to breathe new life into someone else's creation? 
Do tell!

Enjoy the day!

24 May 2011

Verse & Vision: A Change in the Weather

"A lot of people like snow.  I find it to be an unnecessary freezing of water."  ~Carl Reiner

When I first sat down to read the verses submitted for the Verse & Vision project it was the dead of winter. There were many feet of snow covering the ground layered over ice. The landscape was bleak and lifeless. So I must have been seeking spring at that moment.

If there is one thing that I loved to teach when I was a 7th grade English teacher it was poetry. I prefer poems that transport me or have me saying 'aha' or are so filled with imagery that the words leap off the page and into my heart creating a picture more vivid than any photograph could ever be. 

I read all 62 poems in the bunch pretty rapidly. Partly because I only had so much time to read them all in one sitting, and also because I wanted the poems I chose to grab me and take hold of me at first glance. Plus, I knew it was first come-first served. And if a poem grabbed me at the first glance, then I knew that it was for me.

When I came to the poem "A Change in the Weather" I felt an immediate grab. I printed it out and started sketching my ideas immediately (sorry for the poor scan!).

When the poet, Joy Kirsch, read this verse on Friday, she prefaced by telling the story that back in January a slip of the tongue by a radio announcer sparked her imagination and she wrote these lines.

A Change in the Weather by Joy Kirsch

Early January
Ten below
The radio announcer misspeaks
"Today a chance of flowers"

Oh, yes, please
Give me pansies and peonies
Larkspurs and lilacs
Clouds of cosmos
Roses and more roses
Let the petals fall...
Like Rain

It wasn't until Joy was reading her poem, that I thought that she looked familiar. Turns out, she is a member of my church! It has been delightful to know her through her verse, and now we have an artful bond when we see each other on Sundays.

I am a big fan of pansies, my favorite flower, so that spoke to me right away. I wanted to have a pansy in my design, but that did not happen. However, my design is pretty close to the original drawing above. I originally thought that I would use vintage brooches in an explosion of colors with icy and snowy beads making up the other half. But as I was trying to make this, I just could not make the colors mesh.
But then one day I was at a local consignment shop (sadly going out of business) and there was the large white enameled bloom. I told the shop keeper what I was up to, but that is all that she had in stock. But I brought it home anyway and noticed that in my stash I had a lot of other white flowers. So that changed my direction a bit. 

You might recall that back in March I used a teaser of this piece in my Bead Table Wednesday post. The challenge for me was to get all of the vintage pieces to connect and also lay properly without being pokey. You see, unless the piece is already broken, I like to leave vintage things as they are. So each and every one of these pieces is wired to the next. So if the owner wants to remove the pins (especially should they become valuable in the future - none of them are now) then they can do that.

I present 'A Change in the Weather' inspired by the poem of the same name by Joy Kirsch. 

 Vintage petals
Frosted faceted glass beads for the snow
round bluish opalite coins for the cold
large irregular faceted clear quartz nuggets for the ice

I see this as a ravishing look for a bride, especially if she is also carrying one of these, which is similar to what Miranda Lambert carried down the aisle for her recent wedding that weighed in at over 4 pounds! This necklace is no shrinking violet either, but a complete stunner for the right bride (and for sale at the Gallery Q)!

So now it is your turn...
The weather can inspire so many different emotions. Have you ever been inspired by the weather to create something special?
Do tell!

Enjoy the day!

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